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albums |
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| "Disillusioned"
(1987, Novi Sad) |
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| "The
Dreambird" (with Goran Vejvoda / COMEP Music 1994) |
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| "Angel's
Breath" (with Milan Mladenovic and friends/ Imago Rec. 1994) |
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| "Sao
Paolo Confessions" (1999 / Six Degrees/Crammed Disc/Sony/...)
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singles |
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| "Zla
kob" (Ventilator Vol 1, 1983) |
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| "Arabia"
(with Igor Popovic, Ventilator III, 1984) |
mp3
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| "Sex
Machine" (with Milan Mladenovic, singl, 1985)
|
real audio
|
| "Plava
Jutra" (with Marina Perazic, singl, 1985) |
real audio
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| "Voce
Gosta" (SSR, 1999, EP) |
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| "Felicidade
Remixes" (Six Degrees, 2000, EP) |
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| /
muzic for theatre |
 |
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| "Jelka
kod Ivanovih", director Haris Pasic |
| "Mara/SAD"
director Haris Pasic |
| "Nojeva
barka" director Nada Kokotovic |
| "U
potrazi za izgubljenim vremenom" director Nada Kokotovic
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| "Plavobradi"
director Nada Kokotovic |
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| /
the rest of his work |
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| 1984:
Haustor - "Bolero" - (coproducer) |
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| 1986:
La Strada - "La Strada" (producer) |
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| 1987:
Oktobar 1864 - "Igra bojama" (guest) |
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| 1988:
Ekatarina Velika - Live '88 (recorder, published in 1997) |
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| 1998:
The Jets: Then & Now & Wow (sound engineer)
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| 2000:
Gilberto Bebel: Tanto Tempo (producer, arranger, programming...)
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compilations |
 |
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| 1998:
DJ Soul Singer: Upload: A Continuous Mix by.... (Producer)
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| 1998:
Various Artist: Free Zone 5 |
| 2000:
Various Artist: Buddha Bar, vol. 2 |
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references |
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| /
"Ilustrovana enciklopedija YU rocka" -
by Petar Janjatovic, 2001 |
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| /
"All Music Guide" - AMG
on-line |
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"Book.War" research group & friends |
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|
REVIEW:
"From
Ziriguiboom, the Brazilian label that gave us last year's revolutionary
BossaCucaNova, comes a remarkable debut album, Sao Paulo Confessions
(Zir 03) by expatriate Yugoslav musician-producer Suba. A student
of Afro-Brazilian rhythms, native Indian music and jazz, he
has lived in the bustling South American megalopolis of Sao
Paulo for the past ten years. His music is a blend of tropical
textures and electronic programming overlaid with Astrud Gilberto-esque
vocals by the 21-year-old singer Cibelle. Most of the compositions
are Suba's own, with the notable exception of the Jobim/ Moraes
classic Felicidade. Those intrigued by the Modernist new wave
of Brazilian music will welcome Suba's record as a further example
of an emergent style that is fast becoming recognized as the
shiny new soundtrack to Latin American life in the Nineties."
(The
Times (UK) 26.9.1999.)
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comments,
suggestions, information
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